YIJUN'S Fine Art Studio San Francisco

The original Paint-Your-Own-Ceramic studio in Norcal established in 1994. Terra Mia Ceramic Studio strives to allow the inner artist in each person express their creativity. Ages 1 month to 101 will enjoy the painting process by creating a piece of art to be shared and cherished for a lifetime. No experience needed for the staff is there you walk you through process. From the sweetest little handprints of your new born baby to professional grade fine art, the glaze and firing will make your piece water proof and food safe. Come to the studio for a session or order one of your To Go Kits and paint with friends and family at home.

221 4th St

Contemporary venue for visual & performing arts, with a youth program, supporting emerging artists.

Bay area-based & American artists' contemporary works are featured in a ground-floor gallery space.

863 Mission St

Crown Point Press, founded in 1962, focuses on the art of etching. Our gallery and studio are located in an historic building around the corner from the San Francisco Museum of Modern Art. Crown Point’s main activity is printing and publishing fine art etchings. We also hold summer etching workshops open to all and have published books detailing the craft of the etching process. Since its founding, Crown Point has worked with over 100 artists, including Tomma Abts, John Cage, Robert Colescott, Richard Diebenkorn, Leonardo Drew, Mary Heilmann, Sol LeWitt, Tom Marioni, Julie Mehretu, Odili Donald Odita, Chris Ofili, Laura Owens, Hilary Pecis, Ed Ruscha, Pat Steir, Wayne Thiebaud, Rupy C. Tut and Mary Weatherford.

Gallery famed for its American & European paintings, drawings & sculpture from the 20th century.

Gallery 16 was founded in 1993 by artist Griff Williams with the primary focus of representing and advocating for the work of living contemporary artists. In addition to the regular exhibition schedule, the gallery sponsors artists talks, and hosts performances and music throughout the year. It’s our belief that the brick and mortar gallery model, to be culturally relevant, needs to embody new strategies for facilitating and presenting artist’s projects. The space, as Williams describes it, “allows for the artist to fail. We don’t create exhibitions around curatorial agendas, but extend an invitation to artists we trust and hope they use the opportunity to challenge themselves without restrictions.”